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分類Artist

It’s about artist introduction, artwork, and the connection between you and me｜關於藝術家介紹、作品的脈絡點滴，關於藝術家與我們之間的連結

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[2020PAW-PL]Whether art stages scientific evidence, or scientific knowledge is the starting point for a formal game?｜波蘭： 藝術是否為科學提供證據、科學知識是否為正式遊戲的起點？

數字本身很可怕。 在1918至1919年間，西班牙流感爆發導 … Continue Reading [2020PAW-PL]Whether art stages scientific evidence, or scientific knowledge is the starting point for a formal game?｜波蘭： 藝術是否為科學提供證據、科學知識是否為正式遊戲的起點？

Posted 在〈The driving force behind arbitrary deforestation: poverty and a weak social system – selfish desire and corruption｜隨意砍伐亞馬遜雨林行為背後的驅動力：貧窮和無力的社會體系－私慾和貪腐〉中有 1 則留言 Art

The driving force behind arbitrary deforestation: poverty and a weak social system – selfish desire and corruption｜隨意砍伐亞馬遜雨林行為背後的驅動力：貧窮和無力的社會體系－私慾和貪腐

1986年出生於義大利的托馬索·普羅蒂 (Tommaso P … Continue Reading The driving force behind arbitrary deforestation: poverty and a weak social system – selfish desire and corruption｜隨意砍伐亞馬遜雨林行為背後的驅動力：貧窮和無力的社會體系－私慾和貪腐

Posted 在〈Kamias Triennial: To address the neglected issues and challenges that exist as cultural producers and consumers nowadays｜卡米亞斯三年展的存在：為了解決作為「文化生產者」和「消費者」所面臨被忽視的問題和挑戰〉中有 1 則留言 Art

Kamias Triennial: To address the neglected issues and challenges that exist as cultural producers and consumers nowadays｜卡米亞斯三年展的存在：為了解決作為「文化生產者」和「消費者」所面臨被忽視的問題和挑戰

距筆者上次飛往菲律賓已經是7年前的事，即2013年時曾在馬尼 … Continue Reading Kamias Triennial: To address the neglected issues and challenges that exist as cultural producers and consumers nowadays｜卡米亞斯三年展的存在：為了解決作為「文化生產者」和「消費者」所面臨被忽視的問題和挑戰